Museum of the Moving Image Presents Seminal Films by Maya Deren and F.W. Murnau
/Major works by masters of their respective genres, Maya Deren and F.W. Murnau, are being screened April 22nd (Deren) and 23rd (Murnau) at MoMI.
Read MoreGME News
Major works by masters of their respective genres, Maya Deren and F.W. Murnau, are being screened April 22nd (Deren) and 23rd (Murnau) at MoMI.
Read More“Cinema of Sensations: The Never-Ending Screen of Val del Omar,” a major exhibition devoted to the work of José Val del Omar (1904–1982), a visionary Spanish artist, filmmaker, and inventor who approached cinema as a multi-sensory experience, is on view at the Museum of the Moving Image through October 1, 2023.
Read MoreWe are proud to note the inclusion of several important filmmakers whose work is either distributed by GME, or, in the case of Todd Haynes, whose documentary THE VELVET UNDERGROUND, relies on licensing deals with GME.
Read MoreCharlie Chaplin and Marie Dressler in TILLIE’S PUNCTURED ROMANCE (1914) join the Gartenberg Media team in wishing you a SAFE, HEALTHY AND PROSPEROUS NEW YEAR (2020)!
Read MoreFrom 1998 to the present, GME has developed and implemented a project to catalogue and digitize thousands of historic photographs, documents, publications, moving images, and other items from the Spence School archives.
Bradley Eros’ MovieHeadBox is a quasi-readymade, DIY, democratized version of a VR headset for the personal, immersive and concentrated experience of cinema. GME president Jon Gartenberg was on hand at Microscope Gallery recently to try it out.
Read MoreWishing all of our colleagues, friends and fans of cinema history, ephemera and discovery a hearty, satisfying path into the new year.
Read MoreThe release of Anita Thatcher's film Homage to Magritte in 1975 coincided with the start of my own professional career working in MOMA’s film archive. Upon viewing it for the first time back then, her film left an indelible impression upon my mind, and has remained one of the main markers in my experimental film viewing experience.
This film struck me both for the graphic beauty of the imagery as well as for its simple elegance in the representation of time and space in cinema. As did her later installation Anteroom (1982), recently reinstalled at Microscope Gallery, which confirmed for me that Anita Thatcher was truly an accomplished modern artist whose multidimensional career accomplishments are only now beginning to fully sink into our collective consciousness.
A few years before Anita became aware of her illness, she discussed with me the appropriate institution that could archive her films. I was happy to help think through the options and possibilities. I am very pleased to now announce that the Academy of Motion Picture Arts & Sciences has taken her films for archiving, preservation and eventual exhibition.
Click on this link to select sections of the program you wish to view.
GME's long involvement as archivists at The Spence School has led to work involving the school's 125th anniversary exhibition. The exhibition, which focuses on objects from the school's archive brings attention the school's long and rich history.
https://www.spenceschool.org/page/news-detail?pk=885273&fromId=173165
Anthology Film Archives will be exhibiting the films of José Val del Omar in their programmed retrospective "Distant Touch: José Val del Omar: A Retrospective" from March 16th through March 19th. GME sells the DVD publication of the complete works of Val Del Omar for North American institutional sales.
http://anthologyfilmarchives.org/film_screenings/series/46998