GME News
Now through April 11th, Jean-Pierre Melville’s 1967 French noir LE SAMOURAÏ plays at Film Forum in a new 4K restoration, created from the original 35mm negative by Pathé and The Criterion Collection at L’Immagine Ritrovata. GME distributes Melville’s earlier gangster film, BOB LE FLAMBEUR, on DSL, DVD, and Blu-Ray to the North American university market.
Read MoreOn the occasion of March being Women’s History Month, GME spotlighted numerous works by women filmmakers that we distribute on DVD, DSL, and/or Blu-Ray to the North American University Market. Most recently, GME has welcomed films by Ida Lupino, Alexandra Dean, and Suzan Pitt to our collection. Of course, many women have blazed trails in the world of cinema outside of being directors. One such woman, Adrienne Mancia, revolutionized the job of the film curator by championing the work of first-time, independent, and international filmmakers while working as a programmer at The Museum of Modern Art in the 1970s and ‘80s, thereby reshaping film culture in New York City (and beyond)
Read MoreAt this year’s San Francisco Silent Film Festival — described by eminent critic Leonard Maltin as “a feast for lovers of classic film and live music that is as elaborate, ambitious, and masterfully mounted as any I've seen” — THE BLACK PIRATE (1926) starring silent-era superstar Douglas Fairbanks, will screen, in addition to HAXAN, directed by Danish auteur Benjamin Christensen. This year’s festival begins on April 10th and runs through April 14th, with Fairbanks’ film playing on opening night. GME is proud to distribute, to the North American university market, 11 Fairbanks films in the DVD collection DOUGLAS FAIRBANKS: A MODERN MUSKETEER. GME also distributes two Christensen titles on DVD in the collection BENJAMIN CHRISTENSEN: SEALED ORDERS / BLIND JUSTICE.
Read MoreThis Women's History Month, GME pays tribute to Women Filmmakers from our catalogue of digital moving image publications in DSL, DVD, and/or Blu-Ray format, which we make available exclusively to academic institutions in North America in collaboration with an array of archives and boutique publishers worldwide, including Cameo Media, Flicker Alley, Index Edition, Kino Lorber, Light Cone, and Re:Voir, among others. The role of women filmmakers has been generally overlooked in the writing of film histories. GME has carefully curated a selection of works from these organizations so as to more fully represent the significant contributions that women filmmakers have made from the birth of moving pictures.
Read MoreHappy March from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from February, in New York City and beyond, related to GME colleagues, as well as titles and/or artists in our collection that we distribute to the North American university market. Notably, films by French cinema icons Jackie Raynal and Philippe Garrel screened at Anthology Film Archives, while CARRIAGE TRADE, the magnum opus of Warren Sonbert — whose work and legacy GME is proud to represent — returned to the Centre Pompidou 48 years after it was first shown there.
Read MoreAs part of their Essential Cinema series, a collection of films screened on a repertory basis, Anthology Film Archives will show Marcel Hanoun’s UNE SIMPLE HISTOIRE (1959) on February 23rd at 6:45pm. GME distributes this title to the North American university market as both a DVD and a DSL file. Additionally, we distribute Hanoun’s OCTOBRE À MADRID (1964) and THE SEASONS (LES SAISONS) (1968-72) on DVD and DSL — the latter being a “quadriptych” made up of Hanoun’s films L’ÉTÉ (1968), L’HIVER (1969), LE PRINTEMPS (1970), and L’AUTOMNE (1972).
Read MoreWilliam Susman, who composed the music for Steve Bilich’s 2005 experimental short NATIVE NEW YORKER, included his score for the film on his new album MUSIC FOR MOVING PICTURES, which was released on February 7th. Susman hosted a listening party for the album on Bandcamp on the 5th. NATIVE NEW YORKER is exclusively available, worldwide, from GME, for acquisition and exhibition by cultural organizations, as well as for clip licensing by commercial productions.
Read MoreHappy Winter from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from January, in New York City and beyond, related to GME colleagues, as well as films and/or filmmakers in our collection that we distribute to the North American university market. Notably, Anthology Film Archives screened a number of titles (by esteemed filmmakers like Sergei Eisenstein and Carl Th. Dreyer) that we currently distribute. Additional screenings of work related to GME and our colleagues appeared at various venues around the globe — ranging from august organizations like the International Film Festival of Rotterdam and The Film-Makers’ Cooperative, to exciting newer festivals like Animation First and Film Diary NYC.
Read MoreJackie Raynal’s DEUX FOIS (1969) and Philippe Garrel’s LA CICATRICE INTERIEURE (1972) will play at the Harvard Film Archive on February 3rd in conjunction with the publication of The Afterimage Reader: a compendium of essays, assembled by The Visible Press, from the magazine Afterimage. GME distributes, to the North American university market, DEUX FOIS as both a DVD and a DSL file, and LA CICATRICE INTERIEURE as both a DVD/Blu-Ray combo pack and a DSL file.
Read MoreOn Monday, January 29th, at 7pm, the Film-Makers’ Cooperative will show four films about “Happenings” in a program aptly titled WHAT’S HAPPENING?. A perfect companion to this program is the 17-film boxset FLUXFILM ANTHOLOGY, which GME distributes to the North American university market as both a DSL file and DVD.
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