GME News
In recent years, the work of filmmaker Warren Sonbert has experienced a renaissance among film critics, scholars, cinephiles, and the general public. Sonbert’s films have proven especially popular with younger audiences around the globe who are discovering his work for the first time.
Read MoreToday we recap screenings, events, and celebrations from March related to GME titles, artists, and colleagues. Notably, GME celebrated Women’s History Month by spotlighting works by women filmmakers that we distribute on DSL, DVD, and Blu-Ray. In the Adrienne Mancia Streaming Room, GME streamed Hiroshi Teshigahara's WOMAN IN THE DUNES (which Mancia wrote about at length in Film Comment) and featured a number of rare archival treasures from Mancia's papers. Additionally, MIX NYC publicly shared the filmed Q&A session from their festival's closing night program in November 2024, which featured remarks from GME President Jon Gartenberg, commenting on GME associate Matt McKinzie's film and the other films in the program. At the end of the month, Gartenberg contributed program notes for Abigail Child's screening of her film THE SUBURBAN TRILOGY at the Film-Makers' Cooperative.
Read MoreToday we recap screenings, events, and celebrations from January, in New York City and beyond, related to GME titles, artists, and colleagues. In the first half of the month, a number of films that GME distributes to universities in North America were programmed at Anthology Film Archives. In the latter half of the month, GME highlighted the work of photographers Raimondo Borea, Hugh Bell, and Jack Mitchell. Specifically, Borea and Bell’s oeuvres were highlighted with the release of GME's New Photo Licensing Reel, and Mitchell’s 1963 portraits of dancer Maria Tallchief were revisited ahead of the New York City Ballet’s celebration of Tallchief’s centennial. Additionally, Mitchell’s 1994 images of Paul Taylor dancing with Mikhail Baryshnikov were presented in a new video, in recognition of the Jerome Robbins Dance Division’s 2025 Dance Symposium celebrating Baryshnikov and his legacy.
Read MoreOn July 24th, at 9pm, and August 2nd, at 6:30pm, James Benning’s LANDSCAPE SUICIDE (1986) — which GME distributes to North American universities as both a DVD and DVD/DSL bundle — screens at Anthology Film Archives in the series Verbatim. A preeminent formalist filmmaker whose lengthy and distinguished career dates back to the early 1970s, GME is proud to be the sole distributor of Benning’s films to the North American institutional market. In addition to LANDSCAPE SUICIDE, GME distributes the following Benning titles as both DVDs and DVD/DSL bundles: 11 X 14, ONE WAY BOOGIE WOOGIE, 27 YEARS LATER (1977—2012), GRAND OPERA (1979), AMERICAN DREAMS (LOST & FOUND) (1984), O PANAMA (1985), DESERET (1995), FOUR CORNERS (1997), his CALIFORNIA TRILOGY (1999—2001), CASTING A GLANCE (2007), RR (2007), NATURAL HISTORY (2009), and RUHR (2014).
Read MoreHappy March from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from February, in New York City and beyond, related to GME colleagues, as well as titles and/or artists in our collection that we distribute to the North American university market. Notably, films by French cinema icons Jackie Raynal and Philippe Garrel screened at Anthology Film Archives, while CARRIAGE TRADE, the magnum opus of Warren Sonbert — whose work and legacy GME is proud to represent — returned to the Centre Pompidou 48 years after it was first shown there.
Read MoreAs part of their Essential Cinema series, a collection of films screened on a repertory basis, Anthology Film Archives will show Marcel Hanoun’s UNE SIMPLE HISTOIRE (1959) on February 23rd at 6:45pm. GME distributes this title to the North American university market as both a DVD and a DSL file. Additionally, we distribute Hanoun’s OCTOBRE À MADRID (1964) and THE SEASONS (LES SAISONS) (1968-72) on DVD and DSL — the latter being a “quadriptych” made up of Hanoun’s films L’ÉTÉ (1968), L’HIVER (1969), LE PRINTEMPS (1970), and L’AUTOMNE (1972).
Read MoreHappy Winter from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from January, in New York City and beyond, related to GME colleagues, as well as films and/or filmmakers in our collection that we distribute to the North American university market. Notably, Anthology Film Archives screened a number of titles (by esteemed filmmakers like Sergei Eisenstein and Carl Th. Dreyer) that we currently distribute. Additional screenings of work related to GME and our colleagues appeared at various venues around the globe — ranging from august organizations like the International Film Festival of Rotterdam and The Film-Makers’ Cooperative, to exciting newer festivals like Animation First and Film Diary NYC.
Read MoreAs part of their Essential Cinema series, a collection of films screened on a repertory basis, Anthology Film Archives will show Robert Flaherty’s 1922 drama NANOOK OF THE NORTH on January 28th, at 5:45pm. GME distributes NANOOK OF THE NORTH on Blu-Ray to the North American university market.
Read MoreAs part of their Essential Cinema series, a collection of films screened on a repertory basis, Anthology Film Archives will show five works by Soviet filmmaker Sergei Eisenstein from January 13th to January 24th. GME is proud to distribute three Eisenstein titles to the North American university market — BATTLESHIP POTEMKIN (1926/1930), OCTOBER (1928), and OLD AND NEW (1929) — all of which are featured in Anthology’s program.
Read MoreAs part of their Essential Cinema series — a “collection of films screened on a repertory basis… consist[ing] of 110 programs [and] 330 titles assembled [from] 1970 [to] 1975” — Anthology Film Archives will show seven works by Danish filmmaker Carl Th. Dreyer from January 6th to January 13th. Five additional works by Dreyer, distributed by GME on DVD and/or Blu-Ray to the North American university market, are a perfect complement to this program.
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