GME News
Ernst Lubitsch was invited to Hollywood by Mary Pickford to direct her in what would become her first adult role. The result is this thoroughly enchanting blend of the “cast of thousands” period films that Lubitsch had been making in Germany and his emerging interest in bittersweet romantic comedy.
Read MoreNow in theaters, director Phyllis Nagy’s CALL JANE, stars Elizabeth Banks, Sigourney Weaver, and Kate Mara, in a drama about a 1960s housewife (Banks) who joins the Jane Collective to fight for women's rights as she struggles to cope with her need for an abortion during a time of limited social or political support.
Read MorePierre Clémenti’s magnetic screen presence captured the imagination of countless moviegoers during the cultural heyday of the 1960s and ’70s. His roles are as unforgettable as they are varied, brushing up against the sacred and the profane in characters often adapted from mythology, literature, theater, and religion. Angel, demon, hippie, rebel, poet: a child of 1960s counterculture, Clémenti played—and was—all of them. Behind his striking physical performances, which bore the imprint of Antonin Artaud, Lettrist cinema, and the Living Theater, was an ardent, lifelong commitment to creative freedom.
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