4K Restoration from the 35mm original negative of Hou Hsiao-hsien’s FLOWERS OF SHANGHAI Streaming in Film Forum's Virtual Cinema: Repertory Program Starting November 20th

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4K Restoration from the 35mm original negative of Hou Hsiao-hsien’s FLOWERS OF SHANGHAI Streaming in Film Forum's Virtual Cinema: Repertory Program Starting November 20th

Bathed in the golden glow of oil lamps and wreathed in an opium haze, Hou Hsiao-Hsien’s FLOWERS OF SHANGHAI (1998, 113 minutes) traces the romantic intrigues, jealousies, and tensions swirling around a 19th century Shanghai brothel, where the courtesans are ensconced in opulent splendor, yet forced to work to buy back their freedom. Among the regular clients is Tony Leung Chiu-wai's taciturn Master Wang, whose relationship with longtime mistress Michiko Hada is agitated by a perceived act of betrayal. Composed in a procession of long takes, FLOWERS OF SHANGHAI evokes a vanished world of decadence and cruelty, an insular universe where much of the action remains tantalizingly offscreen.

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GME DVD Distribution – Fall 2020 Recap

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GME DVD Distribution – Fall 2020 Recap

With the fall academic semester nearing completion, GME is pleased to present a robust selection of DVD and Blu-ray publications from the breadth and depth of a century of film history (the 1920’s to 2020).

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GME Presents The Psychological Worlds of Animation and Film Noir

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GME Presents The Psychological Worlds of Animation and Film Noir

Film Noir’s stylistic devices result in claustrophobic spaces that lead to the psychological and physical demise of the Noir protagonist; for experimental animators, the cinematic canvas is one that provides liberation of the character’s psyche. These two contrasting paradigms are represented by the new digital restoration of the Noir drama TRAPPED (1949) and the compilation DVD of animation films by Suzan Pitt.

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GME Presents the Marriage of Experimental Film snd Music: the Films of Paul Clipson and Joost Rekveld

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GME Presents the Marriage of Experimental Film snd Music: the Films of Paul Clipson and Joost Rekveld

In the arena of the marriage of experimental film and music that emerged from live performance, we feature the single channel, abstract films of contemporary artists Paul Clipson (LANDSCAPE DISSOLVES, 2009-2016) and Joost Rekveld (11 FILMS, 1991-2017).

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GME Presents Silent Classic Films from Germany and the Soviet Union

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GME Presents Silent Classic Films from Germany and the Soviet Union

Two new digital publications expand GME’s offerings for academic use and study of classic silent films from abroad. THE CITY WITHOUT JEWS (1924) is a prescient and arresting German silent film about the persecution and deportation of the Jews, presaging the horrors of the Nazi era. Half a dozen other feature films made between 1919 and 1924 in Germany and Austria also focused on their plight: DER GOLEM (1919), LOVE ONE ANOTHER, 1922), and THE ANCIENT LAW (1923). Separately, this Blu-ray edition of THE BOLSHEVIK TRILOGY adds the works of Vsevolod Pudovkin to GME’s distribution of films by significant Soviet filmmakers for academic study and appreciation. This digital publication comprises this filmmaker’s cinematic trilogy MOTHER (1926), THE END OF ST. PETERSBURG (1927) and STORM OVER ASIA (1928), which collectively depict the tumultuous history of the Russian Revolution; CHESS FEVER (1925), Pudovkin’s short film about the Moscow chess craze, is presented as a bonus title on the Blu-ray edition.

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GME Presents Urban America, Rural America: The Films of Dominic Angerame and J.L. Anderson

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GME Presents Urban America, Rural America: The Films of Dominic Angerame and J.L. Anderson

Adding to our roster of city symphony films and filmmakers (MANHATTA; BERLIN: SYMPHONY OF A GREAT CITY; LISBOA, CRÓNICA ANEDÓTICA; and THE MAN WITH THE MOVIE CAMERA), we are pleased to present Dominic Angerame’s CITYSCAPES, an amalgam of his short films dating from 1982 to 2010. Mostly shot in San Francisco, these experimental works show urban deconstruction and cinematic construction as two sides of the same coin, as deconstruction even -- in which individual films are often replete with layered, multiple exposures and dynamic editing. In contrast, independent filmmaker Joseph Anderson’s little-known SPRING NIGHT SUMMER NIGHT (1967), is slow paced and spare, a rural family-centered drama shot in black-and-white.

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