Warren Sonbert's HOLIDAY Plays in Chicago In "Tone Glow Presents Pop Music as Prismatic Utopia"

Warren Sonbert's HOLIDAY Plays in Chicago In "Tone Glow Presents Pop Music as Prismatic Utopia"

This Friday, April 19th, at 7pm, writer and programmer Joshua Minsoo Kim will screen Warren Sonbert’s FRIENDLY WITNESS in the second film program presented by his experimental music newsletter Tone Glow, titled Pop Music in Prismatic Utopia. The program will play at Chicago’s Sweet Void Cinema, a production company and microcinema located in Humboldt Park. GME is proud to represent the work and legacy of Sonbert, whose films — as evidenced by Kim’s program and a number of other screenings and retrospectives within recent years — have been experiencing a renaissance. FRIENDLY WITNESS, in particular, is a significant title in Sonbert’s oeuvre, as it demarcates his return to sound after many years of making silent montage films.

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GME Notes Critically Acclaimed New and Notable Bandcamp Release by William Susman

GME Notes Critically Acclaimed New and Notable Bandcamp Release by William Susman

American composer William Susman has created a distinctively expressive voice in contemporary classical music, with a catalog that includes orchestral, chamber, and vocal music, as well as numerous film scores. He is the composer of the haunting score for Steven Bilich’s 2006 award winning NATIVE NEW YORKER, a film that reflects on the enormity of the 9/11 attack on New York…

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GME Presents the Marriage of Experimental Film snd Music: the Films of Paul Clipson and Joost Rekveld

GME Presents the Marriage of Experimental Film snd Music: the Films of Paul Clipson and Joost Rekveld

In the arena of the marriage of experimental film and music that emerged from live performance, we feature the single channel, abstract films of contemporary artists Paul Clipson (LANDSCAPE DISSOLVES, 2009-2016) and Joost Rekveld (11 FILMS, 1991-2017).

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