Baryshnikov / Taylor, '94

Baryshnikov / Taylor, '94

Tomorrow, January 31st, the Jerome Robbins Dance Division will present its 2025 Dance Symposium at the New York Public Library for the Performing Arts at Lincoln Center. This year's Symposium will offer a day-long exploration of Mikhail Baryshnikov and his legacy, on the occasion of the 50th anniversary of his arrival to the United States from the Soviet Union. GME pays tribute to Baryshnikov with this suite of photographs taken by Jack Mitchell, which capture Baryshnikov dancing with Paul Taylor before performing with his dance company in October 1994.

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2025 Photo Licensing Reel

2025 Photo Licensing Reel

GME's Photo Licensing Reel comprises a vast array of photographs taken by Raimondo Borea (1926—1982) and Hugh Bell (1927—2012), whose collections are represented by Gartenberg Media Enterprises for licensing, exhibition, and placement.

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GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

On Wednesday, July 10th at 7pm, and Sunday, July 28th at 4pm, Michael Powell’s classic 1960 thriller PEEPING TOM will screen at The Museum of Modern Art as part of their month-long retrospective Cinema Unbound: The Creative Worlds of Powell and Pressburger. On the occasion of this celebration of Powell and Pressburger’s collaborations (and of Powell’s PEEPING TOM specifically — a controversial solo effort that horrified British audiences and film censors), GME has unearthed an archival gem from Jon Gartenberg’s papers pertaining to Powell’s still-shocking thriller. For the Spring 1990 issue of MoMA’s Members Quarterly, Gartenberg wrote an article that explores the psychological and voyeuristic capacities of the cinematic and photographic mediums as conveyed in both Powell’s PEEPING TOM and Alfred Hitchcock’s beloved 1954 thriller REAR WINDOW.

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