October 2024 Roundup Related to GME Titles, Artists, and Colleagues

October 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap events and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME dove deep into our film and photography collections in honor of LGBTQ+ History Month, highlighting a number of films by LGBTQ+ filmmakers that we distribute on DSL, Blu-Ray, and DVD, as well as photographs of pioneering dancers Louis Falco, Bill T. Jones, and Arnie Zane taken by Jack Mitchell.

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Films by Michael Snow, Straub and Huillet, Dreyer and Godard Included in Jeanne Dielman and Its Roots Series at MoMI

Films by Michael Snow, Straub and Huillet, Dreyer and Godard Included in Jeanne Dielman and Its Roots Series at MoMI

As part the series examining the films that influenced director Chantal Ackerman on her way to creating her masterpiece JEAN DIELMAN, Michael Snow’s LA RÉGION CENTRAL and WAVELENGTH, are being presented, along with Straub and Huillet’s MOSES AND AARON, Carl Th. Dreyer’s GERTRUD, and Jean Luc Godard’s TWO OR THREE THINGS I KNOW ABOUT HER, among other films that impacted the development of JEAN DIELMAN.

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Filmmakers Represented by GME Screening at 58th New York Film Festival

Filmmakers Represented by GME Screening at 58th New York Film Festival

This year’s NYFF is presenting work by Mexican-Canadian director Nicolás Pereda, German filmmaker Heinz Emigholz, Spanish filmmaker Laida Lertxundi, and Taiwanese director Hou Hsiao-Hsien. Running in a concurrent program at Films at Lincoln Center is a revival of the German filmmaking team Jean-Marie Straub and Danièle Huillet’s 1999 tragicomedy Sicilia!

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Two GME titles included in Film at Lincoln Center series Another Country: Outsider Visions of America

Two GME titles included in Film at Lincoln Center series Another Country: Outsider Visions of America

Werner Schroeter’s only U.S. production, WILLOW SPRINGS (1973) and Jean-Marie Straub & Danièle Huillet’s CLASS RELATIONS (KLASSENVERHÄLTNISSE) (West Germany, 1984) among the most incisive observations about the United States have been made by those born beyond its shores. In these films, and others in this series, one encounters many Americas, perspectives on a nation that reveal the peculiarities of its customs, the drama of its natural splendor, and the lacerating contradictions of its political mythologies.

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