GME News
Following the in-person screening of his film STOP (1995-2012) at the Odeon Kino on March 3rd, Preiss’ shorter films from the 1980s through 2006 that comprise “Orchard Documents,” will be on view at the Clementin Seedorf gallery in Cologne until April 21, including TAPE_SPLICES_for_WARREN.
Read MoreBeginning in 1968, with The TUXEDO THEATRE, Sonbert began traveling the world and created tightly edited, silent montage films. He became known as the leading proponent of polyvalent montage, in which, according to Sonbert, his films were “not strictly involved with plot or morality but rather the language of film as regards time, composition, cutting, light, distance, extension of backgrounds to foregrounds, what you see and what you don’t, a jig-saw puzzle of postcards to produce various displace effects.”
Read MoreLuke Fowler’s BEING IN A PLACE: A PORTRAIT OF MARGARET TAIT (2022) will screen with Tait’s 1998 GARDEN PIECES in MoMA’s Doc Fortnight 2023 Festival of International Nonfiction Film and Media on 2/24. At Light Industry on 2/25, Fowler will introduce Henri Plaat’s FASHION FROM NEW YORK (1980) and John McGreevy’s R.D. LAING’S GLASGOW (1979).
Read MoreWarren Sonbert’s film about art vs. industry and their various crossovers will conclude Scratch: PORTRAITS FILMED BY LUKE FOWLER, presented by Light Cone at Le Luminor Hôtel de ville, on February 14th. DIVIDED LOYALTIES will be accompanied by a sound composition Fowler created in collaboration with Richard McMaster.
Read MoreGartenberg Media is proud to present multiple DVD, Blu-ray and DSL editions of several featured filmmakers in our catalog, including extensive representation of the work of James Benning, Philippe Garrel, Marie Losier, Jonas Mekas, Warren Sonbert, Henri Storck, Dziga Vertov and others.
Read MoreIn conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.
Read MoreFramework: The Journal of Cinema and Media has co-sponsored the symposium, "Transatlantic Experimental Film Connections and Influences: New American Cinema and Europe in the 1960s and Afterwards," held May 26, 2022 in Turin Italy. The symposium brings together scholars, archivists and writers to discuss the occasion of the momentous introduction of the New American Cinema (NAC) at Spoleto in 1961 and the longevity of its impact.
Read MoreA retrospective screening of the films of Nathaniel Dorsky and Jerome Hiler (curated by Francisco Algarin and Carlos Saldaña) is taking place at the Filmoteca de Catalunya (Barcelona, Spain) on January 14 and 15, 2022. To announce the exhibition on the Filmoteca’s website, a film frame of the two filmmakers at a rewind table is featured from Warren Sonbert’s THE TENTH LEGION (1967), which will be released by GME for the first time in a 1080 HD digital format this winter.
Read MoreIn Correspondencias : Cartas como películas, many of these letters do not only reveal secret friendships (Louis Lumière and George Méliès), but also unknown collaborations (Orson Welles and Robert J. Flaherty) or projects, which without these letters would have remained undocumented (Maya Deren’s idea of making a film about the circus, Pasolini’s proposal to Jacques Tati to participate in Porcile); other letters mark the end of a collaboration (Marguerite Duras, proposing a script to Alain Resnais, who after being rejected, would go on to film it herself). Other correspondences asking for help at times of creative confusion (Paul Sharits to Stan Brakhage, Stan Brakhage to Hollis Frampton, Gregory Markopoulos to Stan Brakhage); they document major historical moments (the War in the case of F. W. Murnau or Robert J. Flaherty, the political situation in Indonesia, Italy or France in the case of Joris Ivens, Pasolini or Truffaut), they appear like the chronicles of a journey (S. M. Eisenstein, Chick Strand and Ron Rice from Mexico, Warren Sonbert from Morocco, Resnais from Hiroshima, Ivens from Australia, Peter Hutton from Germany, Murnau from Latvia, Allen Ginsberg from India) or even greet other poets (like the letters-gift from Eric Rohmer, Anne-Marie Miéville or Chris Marker).
Read MoreWarren Sonbert’s HALL OF MIRRORS (1966), THE BAD AND THE BEAUTIFUL (1967), and THE TENTH LEGION (1967) were recently presented in the Cineinfinito #165: Warren Sonbert program at Centro Cultural Doctor Madrazo. The 2K DCP versions of these films were prepared by Light Cone, the European distributor of the films of Warren Sonbert in both 16mm and several now as digital versions, which are also available exclusively to the North American educational market by Gartenberg Media via GME Streamline. A total of five early Sonbert titles (the above 3 plus AMPHETAMINE, WHERE DID OUR LOVE GO?, both from 1966), are available as downloadable 2K DSL files from GME.
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