Pierre Clémenti Series Screening at the Museum of Modern Art Oct. 13-31

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Pierre Clémenti Series Screening at the Museum of Modern Art Oct. 13-31

Pierre Clémenti’s magnetic screen presence captured the imagination of countless moviegoers during the cultural heyday of the 1960s and ’70s. His roles are as unforgettable as they are varied, brushing up against the sacred and the profane in characters often adapted from mythology, literature, theater, and religion. Angel, demon, hippie, rebel, poet: a child of 1960s counterculture, Clémenti played—and was—all of them. Behind his striking physical performances, which bore the imprint of Antonin Artaud, Lettrist cinema, and the Living Theater, was an ardent, lifelong commitment to creative freedom.

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GME Salutes Silent Movie Day with Films from the U.S., Europe, and the Soviet Union

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GME Salutes Silent Movie Day with Films from the U.S., Europe, and the Soviet Union

Silent movies encompass a large selection of GME DVD, Blu-ray and DSL publications of films directed by major artists from around the world: Georges Méliès, Abel Gance, René Clair, Marcel L’Herbier, and Louis Feuillade (France); E.A. Dupont, F.W. Murnau, Walter Ruttmann, Ernst Lubitsch, and Georg Willhelm Pabst (Germany); Sergei Eisenstein, Lev Kuleshov, Vsevolod Pudovkin, Mikhail Kalatozov, and Dziga Vertov (USSR); Alfred Hitchcock (UK); Segundo de Chomón (Spain); and Erich von Stroheim, Josef von Sternberg, Paul Leni, Charles Chaplin, Mack Sennett, Lewis Milestone, King Vidor, Allan Dwan, and Robert Flaherty (United States). The Danish Silent Cinema section of GME’s website highlights work of this country’s major directors of the silent era, including Alfred Lind, August Blom, Benjamin Christensen, and Carl Th. Dreyer. GME also distributes silent films from Portugal and Norway. The overlooked role of women filmmakers throughout silent film history is addressed by EARLY WOMEN FILMMAKERS: AN INTERNATIONAL ANTHOLOGY, presented in a multi-disc DVD/Blu-ray boxed set. This illustrative tome features films directed by Alice Guy Blaché. Lois Weber, and Germaine Dulac, among others. Early cinema’s actualities are represented by compilations of short films from Austria and Denmark.

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The Early Films of Peter Tscherkassky are Screening at Light Industry

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The Early Films of Peter Tscherkassky are Screening at Light Industry

After a decade in Greenpoint, Light Industry has moved to East Williamsburg and begin their fall season with a selection of early films by Peter Tscherkassky. The works assembled here stand as some of the most vital cinematic experiments of the late 20th century, appealing, at once, to the eye through the virtuosity of their formal construction, and to the theoretical imagination through their rigorous conceptual strategies.

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THEMATIC COURSE SUGGESTIONS FROM GME AND MORE AS WE HEAD INTO FALL

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THEMATIC COURSE SUGGESTIONS FROM GME AND MORE AS WE HEAD INTO FALL

Looking ahead to the fall semester, GME would like to remind you of some of our popular titles that can be utilized for thematic teaching purposes, while also preparing you for a selection of new titles from Kino Lorber, Re:voir, Index Edition, Edition Filmmuseum, and others, soon to be released as downloadable DSL files and Disk/DSL bundles through GME Streamline.

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Erich von Stroheim's FOOLISH WIVES Screening in MoMA's Film in the Sculpture Garden Series

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Erich von Stroheim's FOOLISH WIVES Screening in MoMA's Film in the Sculpture Garden Series

Advertised as “the first million-dollar movie” when it was released in 1922, Erich von Stroheim’s FOOLISH WIVES offered American audiences a sweeping vision of European decadence, unforgettably embodied by the director himself in his starring performance as Count Sergius Karamzin, a phony Russian aristocrat who bilks the naïve tourists of Monte Carlo with the help of his two dubious “cousins” (Mae Busch and Maude George). Marking the film’s centennial, this will be the New York premiere of a major new restoration of this silent classic, produced by MoMA and the San Francisco Silent Film Festival.

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Films and Filmmakers Distributed by GME Showing in New York, 1962–1964: Underground and Experimental Cinema Series and Exhibition by Film at Lincoln Center, Film Forum and the Jewish Museum

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Films and Filmmakers Distributed by GME Showing in New York, 1962–1964: Underground and Experimental Cinema Series and Exhibition by Film at Lincoln Center, Film Forum and the Jewish Museum

1962 to 1964 was a pivotal moment in the evolution of American arts and culture, especially in New York City. These years, crucial to the development of Pop, Minimalism, and performance, saw the emergence of a new generation of radical artists, as well as venues that gave their iconoclastic work a home and a context. Movies, meanwhile, were undergoing a transformation of their own: the rise of a truly independent cinema, of works unencumbered by the medium’s aesthetic conventions and commercial imperatives.

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GME Staff Visits Jewish Museum’s Jonas Mekas Exhibit

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GME Staff Visits Jewish Museum’s Jonas Mekas Exhibit

Jon, David and Fred recently visited Jonas Mekas: The Camera Was Always Running exhibition at the Jewish Museum to experience the multi-screen experience of this major filmmaking and cultural figure, who is also a central artist in GME’s collection.

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GME Celebrates Jewish Museum’s Reprise of Filmmakers’ Cinematheque Screenings

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GME Celebrates Jewish Museum’s Reprise of Filmmakers’ Cinematheque Screenings

In conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.

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New American Cinema Tour, Which Included Warren Sonbert's 1966 Where Did Our Love Go?, Discussed at Turin Symposium

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New American Cinema Tour, Which Included Warren Sonbert's 1966 Where Did Our Love Go?, Discussed at Turin Symposium

Framework: The Journal of Cinema and Media has co-sponsored the symposium, "Transatlantic Experimental Film Connections and Influences: New American Cinema and Europe in the 1960s and Afterwards," held May 26, 2022 in Turin Italy. The symposium brings together scholars, archivists and writers to discuss the occasion of the momentous introduction of the New American Cinema (NAC) at Spoleto in 1961 and the longevity of its impact.

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The Films and Photos of Friedl Kubelka vom Gröller Were Recently Presented by Anthology Film Archives

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The Films and Photos of Friedl Kubelka vom Gröller Were Recently Presented by Anthology Film Archives

Gartenberg Media is pleased to note this recent, thorough presentation of Friedl Kubelka vom Gröller’s work at Anthology Film Archives, with the filmmaker present at the screenings that ran from April 21-26. Friedl Kubelka vom Gröller is an Austrian photographer, filmmaker and visual artist born in London, England in 1946. Her photographic practice has been attributed to a 20th-century movement known as Feminist Actionism or Viennese Actionism.

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