GME News
In recent years, the work of filmmaker Warren Sonbert has experienced a renaissance among film critics, scholars, cinephiles, and the general public. Sonbert’s films have proven especially popular with younger audiences around the globe who are discovering his work for the first time.
Read MoreToday we recap screenings, events, and celebrations from March related to GME titles, artists, and colleagues. Notably, GME celebrated Women’s History Month by spotlighting works by women filmmakers that we distribute on DSL, DVD, and Blu-Ray. In the Adrienne Mancia Streaming Room, GME streamed Hiroshi Teshigahara's WOMAN IN THE DUNES (which Mancia wrote about at length in Film Comment) and featured a number of rare archival treasures from Mancia's papers. Additionally, MIX NYC publicly shared the filmed Q&A session from their festival's closing night program in November 2024, which featured remarks from GME President Jon Gartenberg, commenting on GME associate Matt McKinzie's film and the other films in the program. At the end of the month, Gartenberg contributed program notes for Abigail Child's screening of her film THE SUBURBAN TRILOGY at the Film-Makers' Cooperative.
Read MoreOn Friday, March 28th, filmmaker and poet Abigail Child presented her feature-length cinematic triptych THE SUBURBAN TRILOGY at the Film-Makers’ Cooperative, of which she is a longtime member. THE SUBURBAN TRILOGY is comprised of three films Child created over the span of a decade: CAKE AND STEAK (2004), THE FUTURE IS BEHIND YOU (2004), and SURF AND TURF (2008—11). Child describes the trilogy as “prismatic” and being “about girlhood and the immigrant dream, focusing on post-WWII North American suburbs and… the war in Europe, critically seen through the lens of gender, property and myths of nation.” GME President Jon Gartenberg is a longtime friend and collaborator of Child’s and has programmed her work at film festivals internationally, including THE SUBURBAN TRILOGY, which was screened at the Pesaro Film Festival. Gartenberg contributed the program note for this screening at the Film-Makers’ Cooperative, which can be read here.
Read MoreIn addition to her work as a film programmer, Adrienne Mancia was an accomplished writer of film criticism and film treatments. Hiroshi Teshigahara’s 1964 avant-garde psychological thriller WOMAN IN THE DUNES was a film Mancia championed at length in Film Comment, and is one of the titles GME’s team has selected to stream this month in the Adrienne Mancia Streaming Room.
Read MoreToday we recap screenings, events, and celebrations from January, in New York City and beyond, related to GME titles, artists, and colleagues. In the first half of the month, a number of films that GME distributes to universities in North America were programmed at Anthology Film Archives. In the latter half of the month, GME highlighted the work of photographers Raimondo Borea, Hugh Bell, and Jack Mitchell. Specifically, Borea and Bell’s oeuvres were highlighted with the release of GME's New Photo Licensing Reel, and Mitchell’s 1963 portraits of dancer Maria Tallchief were revisited ahead of the New York City Ballet’s celebration of Tallchief’s centennial. Additionally, Mitchell’s 1994 images of Paul Taylor dancing with Mikhail Baryshnikov were presented in a new video, in recognition of the Jerome Robbins Dance Division’s 2025 Dance Symposium celebrating Baryshnikov and his legacy.
Read MoreAs a programmer at The Museum of Modern Art, Adrienne Mancia was an advocate of progressive “New Hollywood” filmmakers such as Francis Ford Coppola who, in the late 1960s and early ‘70s, subverted the moral and aesthetic traditions (and limitations) of the studio system by producing thematically and stylistically challenging work influenced by European cinema, the American avant-garde, and the countercultural ethos of the era at large. This month in the Adrienne Mancia Streaming Room, GME presents Coppola’s debut feature film DEMENTIA 13 (1963), which screened in MoMA’s November—December 2023 tribute to Mancia.
Read MoreAdrienne Mancia was a fearless advocate and personal friend of innumerable women directors who pioneered new and challenging forms of filmmaking throughout the 20th century. This selection of short films, curated by the GME team, highlights the work of groundbreaking women filmmakers Maya Deren, Faith Hubley, Agnès Varda, and Shirley Clarke that Adrienne programmed and championed throughout her career. To view this program in the Adrienne Mancia Streaming Room, click here.
Read MoreToday, December 21st, is the shortest day of the year in the Northern Hemisphere and has therefore been declared Short Film Day in Germany. December 28th is also recognized as Short Film Day in the United States, in honor of the Lumière brothers’ first public screening of moving pictures (all of which were shorts) at the Grand Café in Paris on December 28th, 1895. Celebrate Short Film Day this year by visiting the Adrienne Mancia Streaming Room, where a program of holiday-themed shorts, curated by the GME team, is now available to view.
Read MoreToday, Gartenberg Media Enterprises is honored to launch TheAdrienne Mancia Streaming Room. Here, you can stream films, clips, and other audiovisual ephemera related to the professional career of legendary film programmer and curator Adrienne Mancia. Mancia, who passed away in 2022 at the age of 95, was a friend and colleague of GME’s. She worked closely with Jon Gartenberg in the film department at the Museum of Modern Art during the 1970s and ‘80s, where she redefined the field of film programming. As the holiday season approaches, GME’s launch of the Adrienne Mancia Streaming Room comprises an international array of short films, a format that Adrienne championed throughout her career. The movies streamed here are primarily in the experimental vein, and thus are lesser-known movies in the canon of holiday films. This selection incorporates abstract and hand-painted films, found footage movies, puppet animation, and live action. The international reach of Mancia’s programming interests is represented here with films from the United States, Czechoslovakia, Great Britain, and Germany.
Read MoreToday we recap the numerous screenings, events, and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME President Jon Gartenberg collaborated with Elena Rossi-Snook to curate a program of films dealing with sex and censorship that screened at the New York Public Library. Additionally, a number of titles that GME distributes to North American universities appeared in screenings mounted by several noteworthy institutions last month, including the Harvard Film Archive, Metrograph, Light Industry, and the Film-Makers’ Cooperative.
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